Zen and the art of improvisation. The human chemistry of abstract creation where limitations of form and function are cast aside for soulful interpretation of a deconstructed melody by the soloist and all those that choose to participate.
That and this is a really cool disc!
More than a jazz disc, Sean Nowell and The Kung-Fu Masters are a multi-media presentation of positive energy and the transference through a plethora of means further explained in a recent interview you can check out here:
But let us focus on the recording shall we? Nowell is a free spirit in every sense of the word and this sense of harmonic abandonment and lyrical intensity comes through more pronounced in this particular release than any other to date. Jimi Hendrix tunes were created for free interpretation and Nowell kicks this release off with Crosstown Traffic. While intense there is a deceptively subtle zen like quality of less is more that permeates not just this tune but the release as a whole. Old school tunes with a contemporary twist, the sonic circle being made complete. While there is a conceptual base to the recording there are no overt political statements, no causes to fight, and no battles attempted to be won. Similar artists with the majority leaning towards the slightly more contemporary pick jazz as a springboard for everything from racial intolerance to political activism. The Kung-Fu Masters are a springboard for the mind.
The band is as righteous and tight as they come with phenomenal performances laid down by trombonist Michael Dease, rising tumpet star Brad Mason with the rhythm section rounded off with bassist Evan Marien and drummer Marko Djordjevic. The keyboard work of Art Hirahara along with the organ and keyboard work have some referring to this particular sound as "jazztronica." I tend to shy away from labels as I remember the scene from Back To The Future when Chuck Berry's cousin Marvin holds up the phone with Chuck listening and says, "You know that new sound you been lookning for? Well listen to this!" The same applies to Sean Nowell and The Kung-Fu Masters. Outside the Hendrix cover the rest of the ten song set are Nowell originals and perhaps his finest and most innovative work to date. "For All Intensive Purposes" has a decidedly electronic middle eastern flair pulled together with more traditional post bop found here in the west. "Can Do Man" is a reaffirmation of the positive energy and spirit the exudes from this formidable ensemble cast of characters. Fortified with funk and an undercurrent of articulated syncopation that is somewhat reminiscent of the early days of Chicago.
Diversity in soundscapes with a contemporary twist of flavor and pop. Jazz, funk, jazztronica? No label works perfectly here. The labeling of the music is up to the listener. I hear a myriad of influences from Middle Eastern to British Acid Jazz and beyond. At time the ambient quality one may associate with jazztronica will make an appearance but I do not necessarily this was the specific harmonic path this group was intending to cross. The break down to a pure funk laden jam has Nowell at the very top of his game. Foot to the floor originals, breaking the rules and creating a new energy is indeed pushing the music forward.
A remarkable recording on virtually every level one can think of.
Tracks: Crosstown Traffic; In The Shikshteesh; For All Intensive Purposes; Mantis Style; The Outside World; Prosperity; The 55th Chamber; Uncrumplable; Song Of The Southland; Can Do Man.
Personnel: Sean Nowell: tenor sax; Brad Mason: trumpet; Michael Dease: trombone; Art Hirahara: keyboards; Adam Klipple: keyboards and organ; Evan Marien: bass; Marko Djordjevic: drums.